Students from a structural engineering and a visual arts class are working together, shoulder to shoulder, on a collaborative final project despite the fact that they are in different classes. This visual arts and engineering mashup is happening in the new EnVision Maker Studio at UC San Diego and involves students in Structural Engineering 1 and Visual Arts 40.
The EnVision Arts and Engineering Maker Studio at UC San Diego teemed with excitement on the day of the final in an electrical engineering class called Making, Breaking and Hacking Stuff. Instead of a typical test, the class culminated in a cumulative final project – teams of two or three students used the knowledge and some of the parts they had acquired during the class’s previous projects to build a line-following robot. The teams competed to see who programmed their robot to follow a line most closely, and at the fastest speed.
University of California, San Diego Department of Visual Arts Ph.D. candidate Stephanie Sherman was recently recognized for her achievements in art and activism by the Women’s Caucus for Art (WCA), which honored her with the President’s Award for Art & Activism at the 2016 College Art Association conference in Washington D.C. The award is given to individuals who exemplify the WCA mission of creating community through art, education and social activism.
The UC San Diego Department of Visual Arts is hosting, Local Revolutions: the Ninth-Annual Ph.D. Symposium and Open Studios, Sat. March 5 with events happening at the Visual Arts Presentation Lab (SME 149), Pepper Canyon Hall and throughout the Visual Arts Facility (VAF). This year’s symposium, 9:00 a.m. to 5:00 p.m., features keynote speaker Lucy R. Lippard, a renowned writer, activist and curator who has published several books about contemporary art and cultural studies. Open Studios runs from 2:00 to 7:00 p.m. in the VAF and features more than 30 artist studios alongside group exhibitions, performances and film screenings.
UC San Diego’s Entrepreneurs-in-Residence program, which currently features three savvy business professionals who help advise students on start-up ideas, has gained two additional experts.
Composer Hilda Paredes used the Mayan calendar as the basis for her solo percussion piece, “Tzolkin,” with soft eerie pulses suggesting the passage of ancient time. In a sense, her music bridged the divide between modern Mexico and its poor indigenous communities. Paredes’ work, and other compositions from around the world, will be performed Feb. 26 – 28 at UC San Diego Department of Music’s Intercultural Music Conference (ICM). More than 80 composers, scholars and performers will present three days of lectures, concerts and panel discussions exploring music in our rapidly evolving intercultural landscape. They’ll consider music in the Middle East, Africa, Asia, Mexico and other locales. Concerts will showcase both traditional and contemporary music.
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