Looking back at a two-year interactive course linking the Qualcomm Institute and a classroom in Bangladesh, UC San Diego alumnus Robert Hooper (BA '69) reports success in teaching young filmmakers to combat violent extremism.
A 2013 University of California, San Diego M.F.A. graduate in acting, Ngozi Anyanwu, has won the inaugural Humanitas Prize for “Good Grief,” a play about a first-generation Nigerian girl dealing with love and loss in a small Pennsylvania town. Chosen from more than 230 submissions, “Good Grief” will be presented in staged readings Feb. 12-14 at the Humanitas Play Festival in Culver City.
The University of California, San Diego Division of Arts and Humanities recently sponsored, “The Scarlet Stone,” a modern dance/theater retelling of a tragic Persian myth developed by Shahrokh Yadegari, professor of sound design in the Department of Theatre and Dance. The production was performed last summer at UC San Diego’s Mandell Weiss Forum, toured to Toronto—for the Tirgan Festival, the largest Persian arts festival in the western hemisphere—and then to Los Angeles at UCLA's Royce Hall. This production, which involves university faculty and alumni, is now set to reach more than 14 million viewers worldwide through four satellite broadcasts during the week of Feb. 8 on BBC Persian in Iran, Tajikistan and Afghanistan, and online streaming at the time of broadcast.
The University of California, San Diego is an institution known for achieving scientific and creative innovations. So it is no surprise that the Department of Visual Arts broke boundaries and crossed audiences when it recently transformed a 2,500 square-foot, San Diego Art Institute (SDAI) project-space at Horton Plaza into an unexpected home for innovative contemporary art.
UC San Diego Department of History Professor Natalia Molina, who also teaches urban studies and serves as associate vice chancellor for faculty diversity and equity, was recently awarded the 2015 Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship for her book, “How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts.” Molina’s publication examines Mexican immigration from 1924 to 1965 to understand how broad themes of race and citizenship are established. She will discuss her research publicly as the next keynote speaker in the Division of Arts and Humanities’ Degrees of Health and Well-being lecture series, Wednesday. Jan. 27, 7:00 p.m., in UC San Diego’s Great Hall.
The University of California, San Diego’s New Writing Series (NWS) is anything but new. In fact, the series, originally rooted in poetry, is among the longest running programs in the state, dating to the early 1970s. Each quarter the Department of Literature hosts the “new” writing series, and this winter’s series, which began Jan. 13 and runs through March 2, takes a transnational focus with guest writers John Gibler, Lorena Gomez Mostajo, John B. Washington and Marivi Blanco. The next presentation, featuring Washington, takes place Jan. 27, 4:30 p.m., in the Visual Arts Presentation Lab on campus.
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