Supporting Student Innovation
The EnVision Arts and Engineering Maker Studio is an important new addition to the university’s growing network of spaces supporting student innovation on campus.
The EnVision Arts and Engineering Maker Studio is an important new addition to the university’s growing network of spaces supporting student innovation on campus.
Engineers and visual artists are collaborating on final projects, even though they are in different classes. This is just one of the many exciting things happening in the EnVision Arts and Engineering Maker Studio at UC San Diego. The new 3,000-square-foot studio on the third floor of the Structural and Materials Engineering building provides a wide range of design, fabrication and prototyping tools from 3D printers and welding stations to a sophisticated laser cutter. It’s a creative, hands-on, experiential space where visual arts and engineering communities converge; where students are empowered to think, design, make, tinker, break and build again.
The lack of female jazz musicians is by no means a new phenomenon, but it is a persistent one. To help change that, UC San Diego Jazz Camp is working to recruit more girls and women to its five-day summer program.
The CENIC networking consortium will give its Innovations in Networking Award for Research Applications to UC San Diego archaeologist Thomas Levy for his work to digitize archaeological excavations using a suite of cyberarchaeology tools.
The UC San Diego Department of Visual Arts is hosting, Local Revolutions: the Ninth-Annual Ph.D. Symposium and Open Studios, Sat. March 5 with events happening at the Visual Arts Presentation Lab (SME 149), Pepper Canyon Hall and throughout the Visual Arts Facility (VAF). This year’s symposium, 9:00 a.m. to 5:00 p.m., features keynote speaker Lucy R. Lippard, a renowned writer, activist and curator who has published several books about contemporary art and cultural studies. Open Studios runs from 2:00 to 7:00 p.m. in the VAF and features more than 30 artist studios alongside group exhibitions, performances and film screenings.
Composer Hilda Paredes used the Mayan calendar as the basis for her solo percussion piece, “Tzolkin,” with soft eerie pulses suggesting the passage of ancient time. In a sense, her music bridged the divide between modern Mexico and its poor indigenous communities. Paredes’ work, and other compositions from around the world, will be performed Feb. 26 – 28 at UC San Diego Department of Music’s Intercultural Music Conference (ICM). More than 80 composers, scholars and performers will present three days of lectures, concerts and panel discussions exploring music in our rapidly evolving intercultural landscape. They’ll consider music in the Middle East, Africa, Asia, Mexico and other locales. Concerts will showcase both traditional and contemporary music.
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