Visitors to the gallery@calit2 on the University of California San Diego campus will be treated to a mind-expanding yet dystopic art show that asks a simple question: If life started today in our plastic debris-filled oceans, what kinds of life forms would emerge out of the contemporary primordial ooze? The exhibition, “An Ecosystem of Excess”, opens February 2 and runs through March 17.
The Holocaust Living History Workshop (HLWH) at the University of California San Diego continues its year-long series of educational events with three insightful programs this winter, underscoring this year’s theme, “Holocaust and the Burden of History.” This year’s events approach the Holocaust from various angles to shed light on lesser-known aspects of the atrocities committed, such as the transgenerational transmission of trauma. The series, now in its ninth year of programming, is presented by the UC San Diego Library and the UC San Diego Jewish Studies Program.
On January 12, graduate students from UC San Diego will stage MACHINAL, a live performance and interaction with live audience to explore how technology and machines have changed the landscape of human interactions..
UC San Diego professor of anthropology Thomas E. Levy, who directs the Qualcomm Institute’s Center for Cyber-Archaeology and Sustainability, spent a week in the Indian state of Telagana visiting 10 ancient sites, including one of the largest groups of ‘standing stones’ thousands of years old. Levy hopes to return with an expedition to document the little-known sites for digital conservation.
The University of California San Diego’s Department of Music is known for its unconventional approach to the art of sound. The fact that soprano Susan Narucki and composer Lei Liang are collaborating to create a chamber opera around the theme of gun violence only fits that reputation. Their unique project entitled, “Inheritance,” struck a note with the National Endowment for the Arts (NEA), which awarded the UC San Diego team an Artworks grant as part of its first $30 million in major arts funding for 2017.
University of California San Diego history professor Frank Biess is interested in emotions. More specifically, he plans to examine the role of fear and anxiety within the historical context of postwar West Germany. The NEH Fellowship for University Professors enables Biess to address questions about how feelings are produced politically, how they impact society and how they change over time—demonstrating the valuable insight humanities scholars can gain when they engage with the expanding interdisciplinary research on emotions.
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