News Archive

April 25, 2014 — In a world where people prefer to be alone together, what will become of filmmaking and film-going? It sounds as much like the beginning of a futuristic movie trailer as it does the impetus for a film festival — specifically the inaugural Filmatic Festival, a collaboration between ArtPower! and the Qualcomm Institute at the University of California, San Diego.

April 18, 2014 — Gary Shteyngart, critically acclaimed author of “Absurdistan” and “Super Sad True Love Story,” will appear at the University of California, San Diego on May 12 at 7 p.m. in Mandeville Auditorium. He will be joined onstage by Seth Lerer, dean of the UC San Diego Division of Arts and Humanities, for a conversation about Shteyngart's life and work, followed by a book signing of his latest book, “Little Failure: A Memoir.”

April 16, 2014 — A rich digital archive documenting the UFW Farmworkers’ Movement in Central California from 1962 to 1993 has been acquired by the University of California, San Diego Library. The archive, which was developed by LeRoy Chatfield, includes a wide variety of information on the activities, accomplishments, challenges, and work of Cesar Chavez and the farmworkers who participated in the farmworker movement.

March 11, 2014 — The term ‘selfie’ took on a life of its own in 2013, especially after the Oxford English Dictionary selected it as the ‘international word of the year’. The Internet and mobile phones were awash in self-portraits as consumers purchased more smartphones with front-facing cameras – turning the selfie into a truly worldwide phenomenon. Now comes more evidence that selfies have come to inhabit a unique place in world culture – a place with a Web address of its own: Selfiecity.net.

February 25, 2014 — Arts patrons and campus supporters will come together Sunday, April 6 for the University of California, San Diego’s annual Big Bang at ArtPower! fundraiser. Chaired by ArtPower! supporter Martha Dennis, the celebration includes a festive brunch and special performance by the Escher String Quartet. In addition, donors Joan Jordan Bernstein and Rita and Richard Atkinson will be recognized for their generosity, vision and leadership support. All proceeds will benefit the organization’s student engagement programs, with the goal of creating the ArtPower! Student Engagement Endowment Fund. The event is open to the public.

February 18, 2014 — The University of California, San Diego and Comhear, Inc., a transformational, audio technology and wearables company, today announced that they are collaborating on the latest in audio conferencing technology. Comhear has prototyped the first in a series of revolutionary new products designed to let users customize their listening environment, based on an exclusive license for audio beamforming technology developed by researchers in the Qualcomm Institute, the UC San Diego division of the California Institute for Telecommunications and Information Technology (Calit2).

February 11, 2014 — The University of California, San Diego ranks 12th nationally among large schools on Peace Corps’ 2014 Top Colleges list, up from 13th place last year. The campus took the No. 4 spot among large California schools in the annual list which recognizes the highest volunteer-producing colleges and universities for small, medium, large and graduate institutions. There are currently 54 undergraduate alumni from UC San Diego serving overseas in the Peace Corps.

December 11, 2013 — Thomas E. Levy, a professor of anthropology at the University of California, San Diego, has been unanimously elected to as Chair-Elect of the American Schools of Oriental Research (ASOR) Committee on Archaeological Policy (CAP).

October 3, 2013 — What does autonomy mean in an age when technology is radically transforming the ability of objects and even ideas to have a life of their own – from smart cars, to viral videos?

September 24, 2013 — He has lived in the United States for more than 20 years, but composer Lei Liang has never lost touch with his Chinese musical roots, and they are audible even in the avant-garde compositions that earned him praise as “one of the most exciting voices in New Music” (according to the British publication The Wire).